Electronic Art Group explores leftover time—the dust, echoes, and fragments left behind after the act of making. It addresses what remains when time is spent: the overlooked residues of traditional craft in an age of efficiency.

‘Silent Echoes: Letting scattered whispers shape the space.’ The works bring into focus the overlooked, the discarded, and the marginal—fragments of daily life often swept away.

The works unfold in two parts—‘Gaze’ and ‘Listening’—as a group’s interpretation of Pun Han Sin Koon. It invites visitors to experience how fragments casually scattered in simple daily routines are reassembled and re-situated within a confined space. ‘Gaze’ and ‘Listening’ form a continuous shift of attention: ‘Gazing’ through the traces left behind, and ‘Listening’ through the connections caught within the space.

Drift with the Wind focuses on traditional seal carving, where powder is often regarded as useless. When the seal-carving tool presses down and the master blows and brushes, the powder becomes a product of negative space—dispersed, swept aside, and vanished into a series of simple gestures. The work collects those powders that are meant to be discarded, placing them into a rotating vessel so they continue to flow. Here, the powder is no longer merely neglected debris; it becomes an echo of negative space and a fragment of names.

3 x 6 feet focuses on the essence of the shop and the master’s relationship to it. Within a working space measuring only 3 x 6 feet, a radio serves as a medium connecting to the outside world, interwoven with customers’ inquiries. Listening becomes an essential mode of perception in the shop—an attention that reaches out toward people and things nearby. The work attempts to compose a sound map: chatter from all directions, the quick passage of moving workers through narrow lanes, and information drifting in from the radio at the back—these layers intersect. Through active listening, visitors enter the soundscape and come to know a corner of Man Wa Lane.

The artworks do not seek to restore a pure original form. Instead, it presents how fragments and frequencies within negative space are made visible and audible in the present—and how, through the viewer’s intervention, what has been overlooked can be reintroduced as the starting point of narrative.

1/ 

Drift with the Wind, 2026

Mixed media installation 

2/

3 x 6 feet, 2026

Interactive experience

Artists :

Master NG Kam Chun

Fung Wing Lam

Chung Wing Shan

Liao Jiaming

hirsk 

Tsang Ching Man Elyse

Tang Tsz Wai Cheri